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On Tom Waits’s 1983 album, Swordfishtrombones, there is, in among a lot of fabulously unhinged musical experimentation (Tony Bennett described the record as “a guy in an ashcan sending messages”), a 90-second ballad of such tender beauty that it explains all the rest. The song was written for Waits’s wife, Kathleen Brennan – “She’s my only true love/ She’s all that I think of, look here/In my wallet/That’s her” – and named after the town, Johnsburg, Illinois, in which Brennan grew up. The pair had got together on the set of Francis Ford Coppola’s 1981 film One from the Heart, for which Waits was writing the music and Brennan editing the script, and had married a couple of months later at 1am at the 24-hour Always Forever Yours Wedding Chapel in Los Angeles.

The union liberated Waits from what may have appeared his inevitable fate: of the ultimate bar-room balladeer who descends into dissolution and obscurity. The singer had spent the first decade or so of his career toying with that possibility, living partly in the Tropicana motel on Sunset Boulevard, or in his car, a 1955 Buick, writing and singing about dereliction and doomed love, and playing up to a reputation for “wasted and wounded” chaos. For the first time, having met Brennan, he said: “I now believe in happy endings.” The experimentation of Swordfishtrombones was the first expression of that faith. “My life was getting more settled,” Waits recalled. “I was staying out of bars. But my work was becoming more scary.”

It was Brennan who gave Waits the courage to retire some of the seductive “piano has been drinking” myths of his own creation and to follow his restless musical intelligence, wherever it might take him. That album came out not long before the arrival of their first child. Two more albums (and two more children) followed in quick succession in the mid-1980s, Rain Dogs and Franks Wild Years. These are records of startling originality and playfulness, of cacophonous discord and sudden heartbreaking melody, in which it seemed the artist was trying to incorporate the whole history of American song into his loose-limbed poetic storytelling. To mark the 40th anniversary of Swordfishtrombones, that trilogy of albums has been remastered and will be rereleased next month…